Studio Vit designs glass and china Vessels to be “as thin as possible”

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North London-based mostly Studio Vit has made a group of handmade tabletop objects in crystal glass and bone china, that are designed to be as thin and sensitive since the components will allow.

Introduced by MDR Gallery, the Vessels selection comprises three wine and drinking water glasses and two carafes designed with crystal glass, and two tea and coffee cups plus a milk or drinking water jug in bone china.

While each piece is unique and varies slightly in shape and thickness, each handblown crystal glass vessel has been made to be as thin as possible in a bid to push the material to its limits.

The bone china can be fine and sensitive, likened to eggshells from the Swedish studio. This thinness of supplies is definitely an try to emphasise “a sense of closeness to the liquid” when ingesting, in turn enhancing the experience.

 

Related story Petite Friture adds sausage lamps and pink-splashed mirrors to collection

“Studio Vit’s styles are meant to make stillness and make House about which existence can exist,” explained MDR Gallery. The studio explain their solutions as “generating room for all times, atoning for your loud world.”

“In this manner Vessels are greater than useful objects; they offer pause over the day-to-day tumult,” it additional.

Helena Jonasson and Veronica Dagnert from the London-based practice intend their products to “elevate small everyday rituals” such as drinking, while also creating a sense of “stillness” in busy day to day life.

The Vessels selection references the duo’s Scandinavian roots in its minimalism, and Japanese style and design in its simplistic splendor and use of fabric.

“Archetypal shapes are the building blocks from which Studio Vit construct unexpected arrangements of scale and volume,” said the gallery.

“These interactions in between varieties exist within one objects along with between number of objects – this is clear to determine inside the Vessels collection.”

And also getting a study in pushing the limits of materials, the gathering was designed to create stunning overlapping designs when placed in close proximity to to one another.

“Studio Vit carefully consider the relationship between their objects and the spaces they inhabit,” continued the gallery. “This layering of form, volume and scale means they frequently find themselves designing collections, and collections within collections,” they said.

“The person objects inside their growing physique of labor, from huge scale objects for the tiny, each Use a partnership to one another.”

Back in 2016 the studio designed a list of globular lamps established on rounded concrete bases as Section of a group by French design and style enterprise Petite Friture, which also provided playful pendants by Sam Baron shaped like sausages hanging in a butcher’s store.

Images is by Annabel Elston.

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